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| Creating illusion of natural esthetics : |
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| sion of natural
esthetics : |
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Direct composite restorations have been and
will continue to be a restorative option for a considerable
number of anterior reconstructive cases. To achieve the optimal
esthetic and functional result, the clinician must have a
comprehensive knowledge of adhesive dentistry, including the
properties of composite resins, proper tooth preparation techniques,
the optical properties of the natural tooth, and the four
dimensions of color. This presentation demonstrates the polychromatic
layering of color through the correct implementation of materials
and techniques to fabricate restorations that are harmonious
with the opposing dentition. Continuing technological breakthroughs
allow the clinician to implement and maximize new products
in attaining more predictable and aesthetic results as demonstrated
by this methodological protocol of incremental application
of composite resins and modifiers to create a final restoration
that mimics nature.
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| Introduction to the Adhesive Phenomenon Called
Bonding |
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| What Other Restorative Material Has So Many Uses? |
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Understanding The Dimensions Of Color - This
right side of the brain description and re-defining of color
into primary and secondary optical properties gives the clinician
a better understanding of developing color in restorations
from "inside out."
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- Primary Optical Properties - Hue, Chroma, and Value
- Secondary Optical Properties - Translucency, Opacity,
Opalescence, Iridescence, Fluorescence, and Surface Glos
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As described in Anatomical Form Defines Color:
Function, Form, and Aesthetics. Pract Proced Aesthet Dent
2002; 14(1): 59-67.
Clinical Procedures of the Anatomic Stratification Technique
for Direct Anterior Restorations
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- Adhesive Preparation Design
- Development of Body Layer
- Internal Characterization with Tints
- Development of Artificial Enamel Layers
- Shaping and Contouring
- Polishing
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As described in Enhanced Resilience and Esthetic
in a Class IV Restoration. Compendium/Suppl. No. 26 2000;
19-25.
Direct Composite Resin Restoration of Adolescent Class IV
Tooth Fracture: A case report. Pract Periodont Aesthet Dent
2000;12(1):23-29.
Direct Reconstruction of the Maxillary Anterior Dentition
with Composite Resin: A case report. Pract Periodont Aesthet
Dent 1999; 11(3):361-367.
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Clinical and Laboratory Procedures Using
the Anatomic Stratification Technique for Indirect Anterior
and Posterior Resin Systems.
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- Components of the Indirect Resin Systems
- Adhesive Preparation Designs For Inlays, Onlays, Crowns,
and Veneers
- Laboratory Procedures of Anatomic Stratification Technique
- Precementation Protocol
- Adhesive Technique
- Finishing and Polishing
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As described in Clinical Consideration for
Aesthetic Laboratory-Fabricated Inlay/Onlay Restorations:
A Review. Pract Proced Aesthet Dent 2001; 13(1): 51-58.
Optimal Esthet Results with Indirect Posterior Composite Resins.
Compendium 2001; 22(2): 160, 162,164,166,168-169.
Optical Integration with Indirect Posterior Composite Resins:
The Natural Inlay. Contemporary Esthetic and Restorative Practice
2002; 6(1): 38,40-42,44,46,50,51.
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In the art and science of direct bonding,
the clinician continues to strive for the ultimate tooth colored
direct restorative material. Considerable progress in adhesive
technology and composite resin materials allows for the creation
of esthetic restorations that not only preserves, but also
reinforces tooth structure. This learning process develops
the clinician's chair side skills, and the ability to communicate
and interpret information to the laboratory technician and
patient.
Direct bonding! Many clinicians think its just adding composite
to a tooth, but it is much more! It is understanding color
of the substrate, the optical properties of light, the different
restorative materials and their thickness and how this influences
color and even the refractive indexes of each of these and
how they interrelate. And by having an understanding of the
dimensions of color and developing our senses through observation
of nature we can begin to create more lifelike restorations
in both the direct and the indirect world! And most important
we can begin to appreciate and understand the ceramist and
the information that the ceramist needs because many times
the ceramist only has the "Stone Model Without a Face
or Personality."
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